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|
Choice |
ID |
Image |
Painting (From A to Z) |
Details |
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52175 |
 |
Altarpiece of the Church Fathers |
c. 1483 Wood, 212 x 200 cm |
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|
8423 |
 |
Altarpiece of the Church Fathers: St Augustine Liberating a Prisoner G |
c. 1483
Panel, 103 x 91 cm
Alte Pinakothek, Munich |
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|
40249 |
 |
Altarpiece of the Earyly Chuch Fathers |
mk156
c.1480
Oil on panel
216x380cm
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|
8420 |
 |
Annunciation aghe |
1465-70
Panel, 100 x 97 cm
Alte Pinakothek, Munich |
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|
52050 |
 |
Christ in Li |
1460s
Tempera on pine panel,
85 x 71,5 cm |
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|
63695 |
 |
Christ in Limbo |
85 x 71,5 cm Museum of Fine Arts, Budapest As a fulfillment of redemption, Christ, having broken open the gates of hell, has brought with him the pious figures of the Old Testament, holding Adam by the hand as the symbolical incorporation of the whole of humanity. Allusions to this forced invasion, a favoured incident of popular legends and mystery plays, are found even in the Divine Comedy; here it is indicated by cracked and broken stones. It is typical of medieval thinking that hell is represented as a well-guarded building of huge stones, a sort of immense fortified prison; the notions of release, heaven, enjoyment of the delights of Paradise, are conveyed by a fresh green meadow encircled by mountains and forests of fantastic shape, worthy of the imagination of a Tyrolese painter. As symbol of his triumph over death, Christ holds the banner of victory in his hand; the wounds on his hands and feet are clearly visible.Artist:PACHER, Friedrich Title: Christ in Limbo Painted in 1451-1500 , Austrian - - painting : religious |
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63696 |
 |
Christ in Limbo |
1460s Tempera on pine panel Museum of Fine Arts, Budapest Obviously, every action of the devil against Christ is hopeless and can do no harm. It is ludicrous to see him lean out from his castle at the risk of losing his balance; the fires of hell illuminate his backside with a reddish glow, while he gnashes his teeth mixed with fangs, brandishes his two-pronged fork, and makes a threatening gesture with the blunt, fleshy fingers of his other hand. His head is like that of a he-goat, on his arms there are prickles reminiscent of a bat's wings; the contours of a beak-like nose on his belly complete the phantom figure of horror created by the fantasy of the Middle Ages.Artist:PACHER, Friedrich Title: Christ in Limbo (detail) Painted in 1451-1500 , Austrian - - painting : religious |
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8424 |
 |
Flagellation agy |
1495-98
Panel, 113 x 139,5 cm
Österreichische Galerie, Vienna |
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|
52210 |
 |
Mary of Burgundy |
c. 1490 Oil on wood, 47,5 x 35 cm |
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|
40227 |
 |
Resurrection of Lazarus |
mk156
1471-1481
Tempera on wood
175x130cm
|
|
|
33453 |
 |
St Augustine and St Gregory |
mk86
c.1480
Oil on wood
212x100cm
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|
|
21274 |
 |
St Augustine and St Gregory (mk08) |
c.1480
Oil on wood,
Munich,Bayerische Staatsgemaldesammlun-gen,
Alte Pinakothek |
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|
8422 |
 |
St Catherine ag |
1465-70
Panel, 511 x 49,5 cm
Tiroler Landesmuseum Ferdinandeum, Innsbruck |
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|
8421 |
 |
St Lawrence Distributing the Alms ag |
1465-70
Panel, 100 x 97 cm
Alte Pinakothek, Munich |
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|
8425 |
 |
The Engagement of Virgin zg |
1495-98
Panel, 113 x 139,5 cm
Österreichische Galerie, Vienna |
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|
33452 |
 |
The Resurrection of Lazarus |
mk86
1471-1481
Tempera on wood
175x130cm
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|
|
21273 |
 |
The Resurrection of Lazarus.From the St Wolfgang Altar (mk08) |
1471-1481
Tempera on wood
175x130 |
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|
42946 |
 |
The Virgin and Child Enthroned with Angels and Saints |
mk170
1480-1490
Oil on silver
40.3x39.4cm
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